就形式來說白色系列再走下去就空了！之後的一年間雖有一種全然的自由之樂但也隱藏著另一種不著邊際的惶惑。此時我吸收了「後繪畫性抽象」（Post-Paintly Abstraction）的部份理念。 經過了一段對材質的探索之後， 我把材質定位為另一種「自然」而消除了那種與自然失聯的不安。這個時期我名之為「格物時期」。

In terms of FORM, the discovery series could be ended in emptiness. For accompanied with the joy of complete freedom, a quandary of uncertainty was awaited. After a research of the Post-Paintly Abstraction, I took up part of its valuable idea—–to parallel the MATERIALS with the NATURE. In a sense, if the media can be perfectly expressed, it portrays well of the SECOND NATURE. Then the upset of disconnection with the nature was eliminated from my mind. So, I labeled it as: Objects Exploring Series.

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