早期作品 Juvenilia (1964-1981)

Like all beginners, I learned the conventional skills to make the “eye-to-mind-to-hand” process accurately like a mathematic equality. Charcoal, water colors, and paper were the main media at that time.
Influenced by Van Gogh, Henri Matisse and Pablo Picasso, the above equality-like process no longer existed. As a result, “mind” played a more important role in this stage and scenes of nature in my works changed.
After the above mentioned period, I encountered some abstract works and then started to try abstracts with the enlightenment of classical music and Chinese poetry. Those paintings particularly emphasized composition, tone and brushstroke. With the skillful of my hands, the action of mind turned to idleness and a bottleneck was awaited. In order to get away from this plight, I have tried a totally different geometric style in which materials such as: linen, acrylic panel and paper were employed. This intention turned out to be a failure and I finally realized that the geometric style is not my proper choice.

如同一般的初學者,我的學習歷程也不脫「眼-心-手」的練習得以精準的將三維空間轉化為二維。這時期作品都是以炭筆、水彩和紙為媒材。
在此之後受梵谷、馬蒂斯及畢卡索的影嚮,恆等式終於廢棄而心的份量加重,自然的景物也隨之改變。
之後無意間看到了一些抽象的作品,加上對古典音樂和中國詩詞的喜愛就很自然的走進了抽象的領域。此時的作品多講求構成、色調以及筆觸。然而隨著手部的技巧日漸熟練心的運作反趨遲緩。內在的思考與外在的表現潛在著定型化的危機。為了脫困曾試圖反其道的嚐試幾何構圖。但終因不合本性而以失敗告終。

Juvenilia

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靜物 1964, 四開水彩

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靜物 1964, 四開水彩

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靜物1964, 四開水彩

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遠眺壽山 1964 ,水彩四開

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靜物1964, 四開水彩

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受難1964, 四開水彩

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高雄火車站調度室1965 , 四開水彩

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夜的街景 1965, 四開水彩

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偶感 1965, 四開水彩

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上學途中的林蔭小道 1965, 四開水彩

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靜物 1966, 四開水彩

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夕照下的市景1967,10F

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孤院瑣清秋1970,6F

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橫貫公路1970,15P

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馬祖南竿1971, 油彩紙本四開

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馬祖南竿 1971, 8F

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聽雨 1971,8F

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自畫像1971,25.5×20.5cm

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Harbor Light 1971,10F

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I sprained my pride 1971,12P

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人世幾回傷往事 山形依舊枕寒流1972,6F

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海天愁思正茫茫1972,12F

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靜物,1972,55x39cm油彩於紙上

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魚1972, 55x39cm油彩於紙上

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秋水長天人過少 冷清清的落照 剩一樹栁彎腰1973,137x95cm

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靜物1974,10F

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驚濤拍岸1975,20x50cm

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桌、盤、花、瓶的變形1975,50P

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東籬1975,8F

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蓓蕾1975,106x106cm

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潭影1975,6F

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山川無人空自閒1976,50×60.5cm

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雲海之二1976,6P

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紅色的高原1976,10F

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萬籟此具寂 惟餘夜風輕1976,25P

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秋風乍起1976,28x50cm

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露氣寒光集 微陽下楚丘1976,51x79cm

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木落雁南渡 北風江上寒1976,66.5x59cm

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長江水 1976, 紙本對開

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幾何構成1978,60x60cm壓克力. 畫布. 木板

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江波映霞醉1979,20P

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幾何構成1979-1,20x20cm

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幾何構成1979-2,20x20cm

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生趣1980,122x122cm

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生機1980,122x122cm