一般說來，素描常被當作習作。亦即所謂「正式作品」的先導。對我而言，兩者的關係恰恰相反。由於我的作品有太多的自動性，以素描為習作是無濟於事的。故此，素描反而是我整個繪畫觀念及實踐的延續。偶爾，當我愛上一種鉛華洗盡的清純時，這些作品就誕生了。

Spiritual Vagabondism
Generally speaking, drawing is regarded as an exercise—a source of the so-called “formal works.” To me, they are in reverse order. It is useless to make drawings my exercise for I have employed too much automatic process. So, drawing is by all odds the realization of my whole. Sometimes when I feel like to have a kind of purity, these austere styles appeared.

1996-1,73x73cm

1996-2,73x73cm

1999-1,79x55cm

1999-2,79x55cm

1999-3,79x55cm

1999-4,109.5x40cm

1999-5,40×109.5cm

1999-5,40×109.5cm

99-32. 紙本四開

99-36. 紙本四開

99-37. 紙本四開

99-38. 紙本四開

99-39. 紙本四開

99-40. 紙本四開

99-41 紙本四開

2003-1,79x79cm

2003-2,79x79cm

2004-1,39x55cm

2004-2,39x55cm

2004-3,39x55cm

2004-4,54.5x79cm

2004-5,54.5×79